Claude Venard French Still Life Abstract Oil On Canvas
Claude Venard, France (1913-1999) Oil on canvas Still life, abstract, Impressionist. Signature on lower left, . uniquely executed on old canvas,invisible divide, laid stretched definition! 4" lightly gilt wood period ornate frame, designed in Los Angeles, Beverly Hills, Inspiring sunny side egg, in iron black pan with kerosene lamp. aged, excellent, original Normal condition, no tear. authenticated in Los Angeles, by experts of Bonham, John Moran auctioneers.
Acquired from a Private Collection of Newport Beach, California, notable Prominent in 2006.
in Modern Art Museum- Paris, Rouen Museum- Niece Museum - Munich Museum-Tokyo Museum- Metropolitan Museum, New York, Dallas Museum, Sao Paulo Museum , Montreal Museum , Tate Gallery London, In France, he is known for, still life, cubist style, bold & colorful figure, with palate knife and composition.A restorer at The Louvre Museum, with found collection at Musee D' Art de la Ville de Paris, Dallas Museum of Art.
Born in 1913 into a business family from Burgogne. At the age of 17 he began to take evening classes in painting at the Ecole de Arts Appliques. after six years of conscientious study he was forced in order to support himself, to spend most of 1936 working as a restorer at the Louvre Museum. The experience, turned out to be beneficial in as much as it enabled the young artist to fill the gaps still existing in his artistic education.
In 1945, through his continued friendship with Gruber & Merchand, Venard shared mutual success. He remained faithful to a post-Cubist Compositional style, and progressively, accentuated the chromatism of his pallet up to reaching the crudest of colors, which he used in very thick forms and sometimes applied with a pallet knife.
Venard's career was a happy one, punctuated by one man show in Paris, London, New York, Philadelphia, Chicago, Dusseldorf , Munich , Buenos Aires , Tokyo, Canada, Belgium and Holland.
The Artist loved life in all its aspects, and one is inclined to feel that he may have been in search of a genre of painting that would respond to even the most earthy appetites. As He himself, phrased it " We Must be wary of works that seduce at first glance. By this i don't mean to say that ugliness is the greatest of virtues only tat a work must inspire because of it's own worth, without the intermediary of gracious artifices".
Art: 23.3/4 " x 27.3/4"
Frame: 32" x 37"
oil on canvas (palette knife )